Hearst wanted to make sure the script got it right, so he sent it to what today might be called a script doctor, namely Roosevelt. FDR loved it, but he did have some changes, which Hearst eagerly accepted. A month into his first term, FDR sent Hearst a thank-you note. “I want to send you this line to tell you how pleased I am with the changes you made in Gabriel Over the White House,” Roosevelt wrote. “I think it is an intensely interesting picture and should do much to help.”
I bring up this tale to note that Hollywood has never been opposed to propaganda. When Hollywood’s self-declared auteurs and artistes denounce propaganda as the enemy of art, almost invariably what they really mean is “propaganda we don’t like.”
Consider the film Lone Survivor, which tells the true story of heroic Navy SEALs in Afghanistan. The film has been denounced by some critics; a “jingoistic, pornographic work of war propaganda,” in the words of one reviewer. Richard Corliss of Time chimed in: “That these events actually happened doesn’t necessarily make it plausible or powerful in a movie, or keep it from seeming like convenient propaganda.” Similar complaints (from non-conservatives, at least) about antiwar films made during the George W. Bush years are much harder to find.