this kind of story yet. But it’s also reminder that Americans of all ages tend to like their social conservatism much more in theory than in practice.
More than most Westerners, Americans believe — deeply, madly, truly — in the sanctity of marriage. But we also have some of the most liberal divorce laws in the developed world, and one of the highest divorce rates. We sentimentalize the family, but boast one of the highest rates of unwed births. We’re more pro-life than Europeans, but we tolerate a much more permissive abortion regime than countries like Germany or France. We wring our hands over stem cell research, but our fertility clinics are among the least regulated in the world.
In other words, we’re conservative right up until the moment that it costs us.
Both “Knocked Up” and “The 40-Year-Old Virgin” were designed to hit this worldview’s sweet spot. There were threads of darkness in both stories, but for the most part they made their moralism look appealing by making it look relatively easy…
With “Funny People,” though, Apatow is offering a more realistic morality play. This time, doing the right thing has significant costs — but you have to do it anyway. This time, doing the wrong things for too long has significant consequences — and you have to live with them. It’s the first Apatow film in which love doesn’t conquer all. And it’s the first Apatow film in which you get punished for your sins.
In that sense, “Funny People” is the most conservative of all his movies.