Donald Trump, entertainer-in-chief

Trump’s sense of the president’s broader functions, meanwhile, has turned out to be fundamentally theatrical. In just about every setting, he is performing for an audience. Thus his obsession with ratings and audience size, his running commentary on Twitter (often calling for actions that he could instead just undertake as chief executive), and his peculiar tendency even to comment on his own speeches as he delivers them.

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And thus, more important, his intense desire to please the room at every moment — which has led him incessantly to shift course and change positions. He seems to want different things at different times in front of different audiences. But he actually always wants the same thing: He wants to be acclaimed a winner. When he isn’t depicted as successful, whether it’s on morning television or in a meeting with congressional leaders, he says and does whatever seems required to change the story in his favor. He can’t resist such provocations because he is always on the stage, needing to please or save face before the crowd.

This has left President Trump open to shameless attempts at manipulation by members of Congress and his own administration who think they can push him in their direction on key policy questions by portraying their preferred approach as a way for him to look stronger. These efforts are sometimes successful, but generally not for long. Positions Trump is manipulated into adopting are as transient as those he takes up on his own, lasting only for the current scene of the drama.

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