How art-history majors power the U.S. economy

As an English major determined not to be a lawyer, I also made sure I graduated with not one but two practical trades –neither learned in the college classroom. At the depths of the previous worst recession since the Great Depression, I had no problem getting a job as a rookie journalist and, as an emergency backup, I knew I could always fall back on my excellent typing skills. Three decades later, nobody needs typists, and journalists are almost as obsolete.

The skills that still matter are the habits of mind I honed in the classroom: how to analyze texts carefully, how to craft and evaluate arguments, and how to apply microeconomic reasoning, along with basic literacy in accounting and statistics. My biggest regret isn’t that I didn’t learn Fortran, but that I didn’t study Dante…

The argument that public policy should herd students into Stem fields is as wrong-headed as the notion that industrial policy should drive investment into manufacturing or “green” industries. It’s just the old technocratic central planning impulse in a new guise. It misses the complexity and diversity of occupations in a modern economy, forgets the dispersed knowledge of aptitudes, preferences and job requirements that makes labor markets work, and ignores the profound uncertainty about what skills will be valuable not just next year but decades in the future.