Glastonbury: It Was Not a Mistake, It Was a Co-Ordinated Act of Provocation

THE events at Glastonbury this past weekend should concern anyone who believes that anti-Semitism has no place in British public life. What unfolded on one of the country’s most iconic cultural stages wasn’t spontaneous rebellion or edgy political commentary: it was a deliberate and co-ordinated act of provocation. Worse, it was broadcast live to a national audience, under the watch of both the BBC and the festival’s organisers.

Kneecap are a band whose lead singer has previously been arrested under anti-terrorism legislation and who has openly threatened to use his platform to make anti-Semitic and anti-Israel statements, both on television and at Glastonbury. Despite this history, the band were not only invited to perform but reportedly informed by the BBC that their set would not be aired. In reality, what followed suggests a calculated workaround.

Just before Kneecap’s performance, the BBC aired the set of a lesser-known duo, Bob Vylan, with a troubling legal background and a documented history of anti-Semitic and anti-Zionist rhetoric. Bob Vylan, known associates of Kneecap, were given a prime broadcast slot directly before their set. This was no coincidence. Judging by the crowd’s reaction, many knew what was coming.

This wasn’t an act of creative expression. It was a co-ordinated stunt. A platform for hate, dressed up as art. This was not and is not free speech. This is hate speech, pure and simple.