‘Buckaroo Banzai’ at 40: Accept No Substitutes

Richter made a real anomaly in 1984, a truly strange movie at the Hollywood studio level, carefree in its weirdness but earnest in its love for sci-fi and sustaining a hip attitude for the entire running time. I didn’t see it during its brief initial opening in theaters and only caught up with it on HBO.

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It’s an easy movie to get addicted to, because, at the time, there was nothing else remotely like it. Today, one can see the fingerprints of “Buckaroo Banzai” are all over “Guardians of the Galaxy” (2014), “John Dies at the End” (2012) and the new “Borderlands,” to name just a few.

Pacing is sometimes a problem, as there are some dead spots, especially in the third act. Yet, the best scenes are exciting, inventive in their staging and crammed with ideas. What “Buckaroo Banzai” has over most ensemble sci-fi comedy hybrids is that it never stops stacking concepts and always maintains a droll sense of humor.

Ed Morrissey

I saw this several times in the theaters in 1984. I had just ended a serious relationship and was in the midst of the blues, and this really grabbed me.  I dragged all my friends to it and have never tired of watching it. I honestly didn't consider its influence on later films, but I love the idea of it. 

I'll talk more about this with Christian tomorrow, but it's pretty strange to realize that this is now 40 years old. 

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