The Monoculture Made 'Super Size Me'

No doubt hard work, talent, and a strong hook were important, but those ingredients wouldn’t be enough to cook up a blockbuster. Perhaps Spurlock knew his most important audience wasn’t the American public, but industry gatekeepers. The filmmaker was savvy enough to dangle irresistible ingredients in front of them.

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Film industry gatekeepers love a good David and Goliath story—that is, as long as the roles reflect the “correct” worldview. That was no problem for Spurlock. He, the independent filmmaker on a shoestring budget, assumed the role of David, daring to step forward to challenge the corporate Goliath—McDonald’s. 

Many other elements play to Eight Percenter tastes: The film takes some swipes at Texas. It includes reflections from progressive public health superstars like Marion Nestle, Kelly Brownell, and lawsuit machine John Banzhaf. ...

Spurlock’s recipe worked. He cooked up Super Size Me in order to attract Eight Percenters, and it did just that.


Ed Morrissey

When Nick Gillespie offered a shorter but still pointed criticism of Super Size Me last week, some commenters on social media took swipes at him for waiting until Spurlock died. The truth is that many of these criticisms have been circulating about that documentary for years and even came up at the film's release, including criticisms of overdramatization and questions about whether Spurlock deliberately manipulated his intake for maximum impact. Those criticisms got buried by the same Eight Percenters that Ted discusses here.

And Ted knows of what he speaks, as a documentary filmmaker himself. Be sure to read it all, as it is quite lengthy and utterly devastating. 

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