What was particularly notable is that, despite the false White House claims and extensive coverage, Hunter appears to have discarded any such limits. Berges testified that artists usually do not know who buys their art. So not only did Hunter not comply with the agreement with the first, this was a departure from standard operating procedure to let him know about the purchasers: “…I don’t know how it was phrased or—but I remember that there—that that was the difference…That part was different. Normally, the gallerist does not let the artist know who the collectors are…The first one was that I was required to disclose who the buyers were. In the second one, I was required to not disclose the buyers.”

The most important testimony, in my view, is still the massive purchase by Morris. This Democratic donor was introduced to Hunter at a Democratic fundraiser for the first time not long before reportedly giving him millions to pay off his taxes and support his lavish lifestyle. He then reportedly purchased most of the art as the media was reporting how hot Hunter was as a new emerging artist. The claims of walling off the identity of purchasers and the high demand for his art proved to be false.

[Quelle surprise! A Biden turned out to lie to cover up financial shenanigans. Turley notes that the same media outlets that crowed about the White House ethics guardrails on Hunter’s art sales are suddenly uninterested in them now that they’ve been exposed as a dodge. Again … quelle surprise. — Ed]