Formulas matter, but screenplays need something extra to make them magical. The classic quote, “I’ll have what she’s having,” from “When Harry Met Sally” jumps to mind.
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Tom Hanks’ “Otto” offers little fresh or rewarding. It’s a curdled lineup of tropes begging us to like them. The Oscar winner allows himself to be nasty at times, a welcome change from his standard screen image.
What’s missing is a story that has even a mild relationship with reality.
[Sounds bad, but “Shape of Water” was Oscar-bait at its worst, even more so than “American Beauty.” A cranky Hanks can’t possibly be as bad as “Shape of Water.” — Ed]
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