This brings us to perhaps the most surprising detail about this episode: since when did Young become the sort of person to advocate for shutting up his ideological opponents? The rock and folk artist made his name as a countercultural figure in the 1960s, raging against the cultural and political establishment, working with Crosby, Stills, & Nash to release “Ohio,” a powerful protest song released after the killing of student protesters at Kent State University in 1970. The song became an anthem for the anti-Vietnam War movement. Some mainstream AM radio stations, sensitive to lyrics referring to “soldiers gunning us down,” banned it, but underground radio helped make it a hit anyway. Young continued to be a mainstay of the counterculture in the decades to come. In 2006, he reunited with Crosby, Stills, & Nash to barnstorm the country singing anti-Iraq War and anti-George W. Bush songs. They called it the “Freedom of Speech Tour” and kicked it off in Philadelphia, birthplace of the Constitution.

Young’s transformation from countercultural champion of freedom of speech to corporate censorship advocate and defender of the public-health bureaucracy didn’t occur in a vacuum. Progressives have become increasingly censorious over the past few years. A majority of Democrats now believe that both private tech companies and the U.S. government should “take steps to restrict false info online.”