Take it from a critic and a Christian with an aversion to Christian entertainment: The show is good. I’d stop short of calling The Chosen a prestige drama, but it looks and feels downright secular. Despite a wonky accent here and there, the acting is as strong as you’d see on a mainstream network series such as Friday Night Lights or This Is Us. A tracking shot lasting more than 13 minutes opened one recent episode—a typical technique for a filmmaker to flex their skills. The storytelling even inspired me to comply with the show’s promotional hashtag and (ugh) #BingeJesus. The Chosen has caught on with Christians in part because of scarcity. Faith-based streaming services such as PureFlix overflow with solemn dramatizations of Bible stories, though finding one with much depth or entertainment value is rare. Meanwhile, subversive Hollywood takes such as Noah or The Last Temptation of Christ turn off Christians who prize the authority of scripture. The more straightforward 2004 movie The Passion of the Christ was by far the highest-grossing Christian film of all time, and the last one to make a dent in secular pop culture. Yet it was hyper-focused on the last few hours of Jesus’s life, and its fixation on the gory details of his crucifixion was no one’s idea of fun. The Chosen’s Jonathan Roumie plays Jesus as someone you’d actually like to hang out with, projecting divine gravity accented with easygoing warmth. He cracks jokes; he dances at parties. “What The Chosen has done well is give us kind of a robust portrait of a highly relatable Jesus that moves beyond some of the holier-than-thou, untouchable, unapproachable portraits of Jesus in the past,” says Terence Berry, the COO of the Wedgwood Circle, an investment group that finances faith-based media.