Banning Lou Reed: The cultural revolution eats its fathers

The old SSRs (Sixties Sexual Revolutionaries) wanted to transgress norms. To break boundaries. To “liberate” behavior and trample on icons. Then to rip up the Bible-based sexual morality associated with the bourgeois life. The new SJWs want to build a new moral orthodoxy imposed uniformly on all. If anyone from the properly certified minority group has hurt feelings listening to “Walk on the Wild Side,” then nobody should have to hear it. The SJWs want to be the new bourgeois morality.

SSRs attacked Bible-based moral codes. But these sex codes also had deep roots in human nature across lines of culture and religion. They were multicultural in the best sense. Details varied. Virtually every human society has understood that disciplining sexuality in the service of children and marriage was a critical and necessary social task…

Our emerging morality has two big ideas: First, our most important job as a society is now to create good gender-neutral workers who have equal access to good jobs. This is the social task that is critical and must be accomplished. Second, our identity as sexual beings is socially unimportant except to the extent it brings us personal happiness. Sex accomplishes no important social task. Therefore it follows as marriage once followed sexual love that everyone must support all our sexual identities. There is no objective standard a reasonable outsider can apply. Even the intent of the artist doesn’t really matter. The consumer might hear it differently.

The lack of any standard, paradoxically, makes the SJW moral code far more intrusive and punitive than Victorian morality. (Could Lou Reed have ever dreamt of that?) You can’t avoid breaking its rules, since they aren’t announced in advance. You only find out you’ve done wrong once someone complains. And from that, there is no appeal. Guilt is absolute and automatic. You have no choice but to grovel for mercy. The Guelph students clearly knew that. Hence their abject apology.