Geller’s critics also do not understand that radical Islam has already cut a huge swath out of American free speech through more than a decade of death threats. Ever since 9/11, they have largely succeeded by demanding special rules for public discourse about Islam in a way accorded no other religion. Disagree, and one is branded “Islamophobic,” as that now-ubiquitous buzzphrase “hate speech” magically pops up. Of course, when other so-called artists have desecrated Christian images, they operated on the belief not just that they would not be harmed, but that, as in “Piss Christ,” they would actually be subsidized by the U.S. government.
One wonders what the current apologists would have said about Nazi book burning. Did not Freudian writers and modern artists grasp that their work would offend traditional National Socialists who sought only to bring back balance to artistic and literary expression? Why then would they continue to produce abstract paintings or publish Jungian theories about sexual repression, when they must have known that such works would only provoke blood-and-soil Nazis? And had Jews just left Germany en masse by 1935 or gone into hiding, would not Hitler have cooled his anti-Semitic rhetoric? Why did some Jews insist on staying in a clearly Aryan nation, when they must have known that their ideas — indeed, their mere presence — could only provoke Nazis to violence?
Apparently there is no longer a First Amendment as our Founders wrote it, but instead something like an Orwellian Amendment 1.5, which reads: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press — except if someone finds some speech hurtful, controversial, or not helpful.”
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