Where journalism goes to die

In my final months, I helped edit and write a few stories for The Intercept with Natasha Vargas-Cooper about the wildly popular podcast Serial. Natasha landed two key interviews with figures in the murder case and she wrote a series of stories that I helped edit and shared a co-byline on two of them. The stories challenged, directly and indirectly, the narrative laid out in the unexpected podcast hit by the makers of This American Life. The podcast’s narrative followed the investigation and prosecution of Baltimore teen Adnan Syed, who was convicted and is serving a life sentence for the murder by strangulation of a teenage girl (and who dumped her body in a park in Baltimore). Serial’s thesis was straightforward: Syed did not get a fair trial.

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Our stories, though, showed the opposite—documenting the work of the prosecutor and the star witness. Given the viral success of the show, our follow-up stories were a huge success—possibly the biggest thing The Intercept has ever published. They were, though, hugely controversial inside our organization. Why wouldn’t a huge editorial success be celebrated inside The Intercept? Because we were siding with The Man.

Now I believe the American justice system is badly flawed and often racist, but in this instance, I firmly believe, the system worked. I believe Adnan Syed murdered Hae Min Lee and was rightly prosecuted for it.

But I came to realize that the system working correctly—and the right people going to jail—isn’t a good narrative to tell at The Intercept.

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