We have outsourced our opinions to this loop of data that will allow us to hold steady at a dinner party, though while you and I are ostensibly talking about “The Grand Budapest Hotel,” what we are actually doing, since neither of us has seen it, is comparing social media feeds. Does anyone anywhere ever admit that he or she is completely lost in the conversation? No. We nod and say, “I’ve heard the name,” or “It sounds very familiar,” which usually means we are totally unfamiliar with the subject at hand.
THERE was a time when we knew where we were getting our ideas. In my eighth grade English class, we were assigned “A Tale of Two Cities,” and lest we enjoy the novel, we were instructed to read Charles Dickens’s classic with an eye toward tracking the symbolism in the text. One afternoon while I was in the library, struggling to find symbols, I ran into a few of my classmates, who removed from their pockets folded yellow and black pamphlets that read “Cliffs Notes” and beneath that the title of Dickens’s novel in block letters. That “study guide” was a revelation.
Here were the plot, the characters, even the symbols, all laid out in paragraphs and bullet points. I read the Cliffs Notes in one night, and wrote my B paper without finishing the novel. The lesson was not to immerse and get lost in the actual cultural document itself but to mine it for any valuable ore and minerals — data, factoids, what you need to know — and then trade them on the open market.
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