There’s a multimedia presentation depicting how, precisely, the towers collapsed. A wing for Pennsylvania and the Pentagon, tape loops of survivors telling how they got out. Smoke and fire and ash and twisted metal and the husk of an ambulance. Tattered flags, handwritten pleas for help, missing persons flyers, screams. Dusty, ownerless Topsiders encased in glass. A soot-coated bike rack, as it was found. Countless personal artifacts, artfully destroyed. The posters for King Kong and Manhattan and Working Girl with the towers, resplendent. The president addressing the nation and vowing steely, determined revenge. Hallways dedicated to tracing the hijackers’ timeline and of al-Qaeda’s rise and a video wall with people like Hillary Clinton laying out the justification for the unending war on terror, tying grief inextricably, cannily to political ideology in a way that might seem crass if I were able to process it all with a clear head. There is no way out until the end, and it’s all so numbing that maybe this is the whole point: The exhibition starts with one shining, unfathomably terrible morning and winds up as all of our lives, as banal and constant as laundry, bottomless. I can feel the sweat that went into making this not seem tacky, of wanting to show respect, but also wanting to show every last bit of carnage and visceral whomp to justify the $24 price of admission — vulgarity with the noblest intentions.
The fact that everyone else here has VIP status grimly similar to mine is the lone saving grace; the prospect of experiencing this stroll down waking nightmare lane with tuned-out schoolkids or spectacle-seekers would be too much. There are FDNY T-shirts and search-and-rescue sweatshirts and no one quite makes eye contact with anyone else, and that’s just fine. I think now of every war memorial I ever yawned through on a class trip, how someone else’s past horror was my vacant diversion and maybe I learned something but I didn’t feel anything. Everyone should have a museum dedicated to the worst day of their life and be forced to attend it with a bunch of tourists from Denmark. Annotated divorce papers blown up and mounted, interactive exhibits detailing how your mom’s last round of chemo didn’t take, souvenir T-shirts emblazoned with your best friend’s last words before the car crash. And you should have to see for yourself how little your pain matters to a family of five who need to get some food before the kids melt down. Or maybe worse, watch it be co-opted by people who want, for whatever reason, to feel that connection so acutely.
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