How conservatives learned to hate Hollywood

But another is that a lot of today’s CGI-heavy action films seem, well, liberal. Iron Man is basically rebelling from his work building arms for the U.S. The Incredible Hulk is a military experiment gone wrong. X-Men are all victims of discrimination. And so on.

Here’s another problem: Hollywood is no longer creating films specifically for Americans. The global box office is increasingly crucial for a big-budget movie’s success. When they’re crafted to appeal to Chinese and Russian audiences, films no longer scratch that unique conservative American itch. When we watch movies tailored to the world, we lose a sort of cultural connection.

It is, perhaps, easiest to illustrate this point by comparing apples to apples — by looking at how Hollywood handles remakes from that era instead of comparing 1980s era movies with today’s original works.

Consider the 2012 remake of the 1984 classic Red Dawn. The original was about the Soviet Union’s invasion of a small town in Colorado. The remake failed to recapture the magic. Come 2012, there was no Soviet Union. China might have made sense, but the film’s creators decided that casting the Chinese as the villains might hurt international sales. And so, they decided to make North Korea the bad guys. Suffice it to say, the end result failed to inspire future conservatives the way the original did.