The most interesting moment of Springsteen’s career came after the success of “Born to Run.” It would have been natural to build on that album’s success, to repeat its lush, wall-of-sound style, to build outward from his New Jersey base and broaden his appeal. Instead, Springsteen went deeper into his roots and created “Darkness on the Edge of Town,” which is more localized, more lonely and more spare.

That must have seemed like a commercially insane decision at the time. But a more easily accessible Springsteen, removed from his soul roots, his childhood obsessions and the oft-repeated idiom of cars and highways, would have been diluted. Instead, he processed new issues in the language of his old tradition, and now you’ve got young adults filling stadiums, knowing every word to songs written 20 years before they were born, about places they’ll never see…

The whole experience makes me want to pull aside politicians and business leaders and maybe everyone else and offer some pious advice: Don’t try to be everyman. Don’t pretend you’re a member of every community you visit. Don’t try to be citizens of some artificial globalized community. Go deeper into your own tradition. Call more upon the geography of your own past. Be distinct and credible. People will come.