Gibson’s anti-Semitic obsession was a leitmotif of working on the film together at Gibson’s homes in Malibu and Costa Rica, Eszterhas said.

“You continually called Jews ‘Hebes’ and ‘oven-dodgers’ and ‘Jewboys.’ It seemed that most times when we discussed someone, you asked ‘He’s a Hebe, isn’t he?’ You said most ‘gatekeepers’ of American companies were ‘Hebes’ who ‘controlled their bosses.'”

The slurs continued, through their work:

“You said the Holocaust was ‘mostly a lot of horseshit.’ You said the Torah made reference to the sacrifice of Christian babies and infants. When I told you that you were confusing the Torah with The Protocols of the Elders of Zion, … you insisted ‘it’s in the Torah — it’s in there!’ (It isn’t).”