He is, first and last, a creature of the fantasy-industrial complex. “He is P. T. Barnum,” his sister, a federal judge, told his biographer Timothy O’Brien in 2005. Although the fantasy-industrial complex had been annexing presidential politics for more than half a century, from JFK through Reagan and beyond, Trump’s campaign and presidency are its ultimate expression. From 1967 through 2011, California was governed by former movie actors more than a third of the time, and one of them became president. But Trump’s need for any and all public attention always seemed to me more ravenous and insatiable than any other public figure’s, akin to an addict’s for drugs. Unlike Reagan, Trump was always an impresario as well as a performer. Before the emergence of Fantasyland, Trump’s various enterprises would have seemed a ludicrous, embarrassing, incoherent jumble for a businessman, let alone a serious candidate for president. What connects an Islamic-mausoleum-themed casino to a short-lived, shoddy professional football league to an autobiography he didn’t write to buildings he didn’t build to a mail-order meat business to beauty pageants to an airline that lasted three years to a sham “university” to a fragrance called Success to a vodka and a board game named after himself to a reality-TV show about pretending to fire people?
What connects them all, of course, is the new, total American embrace of admixtures of reality and fiction and of fame for fame’s sake. His reality was a reality show before that genre or term existed. When he entered political show business, after threatening to do so for most of his adult life, the character he created was unprecedented—presidential candidate as insult comic with an artificial tan and ridiculous hair, shamelessly unreal and whipped into shape as if by a pâtissier. He used the new and remade pieces of the fantasy-industrial complex as nobody had before. He hired actors to play enthusiastic supporters at his campaign kickoff. Twitter became his unmediated personal channel for entertaining outrage and untruth. And he was a star, so news shows wanted him on the air as much as possible—people at TV outlets told me during the campaign that they were expected to be careful not to make the candidate so unhappy that he might not return.
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