Fearless Girl is finally going to move and, at least for now, she won’t be taking Charging Bull with her. The decision to move Fearless Girl a few blocks away to a position opposite the New York Stock Exchange was prompted by concerns about crowds and traffic. From the NY Daily News:
The much-beloved statue will depart her perch opposite the iconic Charging Bull to stare down some new scenery: The New York Stock Exchange, the Daily News has learned…
The move comes as the city and the company sought a more permanent home for the popular statue — and one with fewer safety issues than her current spot in a Bowling Green median, which gets overrun with onlookers who often stand in the busy street…
Due to safety concerns about traffic — and potential terror attacks using cars — the city said it was also exploring moving the Charging Bull itself.
But while Fearless Girl will move by year’s end, there are no immediate plans to move the bull — the city said Wednesday it was “exploring” putting it somewhere else downtown.
However, there’s really no doubt that Fearless Girl doesn’t work without some opponent to be fearless about. So will staring down the New York Stock Exchange be enough? The NY Times reports that Mayor de Blasio really wants to keep the statues together:
A spokesman for Mr. de Blasio said that it was important to the mayor, who has posed with “Fearless Girl” and spoken of its meaning to young women and girls, to keep the two works together.
“The mayor felt it was important that the ‘Fearless Girl’ be in a position to stand up to the bull and what it stands for,” said Eric F. Phillips, the mayor’s press secretary. “That’s why we’re aiming to keep them together. The bull has also always been a traffic and safety issue the city’s hemmed and hawed over. The moves achieve a few goals.”
Artist Arturo Di Modica, the creator of Charging Bull, has said his figure was meant to be a symbol of “freedom in the world, peace, strength, power and love.” It was, of course, a symbol of America’s economic strength and, implicitly at least, of the power of capitalism itself. Di Modica felt the addition of Fearless Girl turned his optimistic statue into a corporate comment on gender politics and, worse, a threat to be defied.
It’s interesting that the progressive Mayor is so eager to maintain that reinterpretation of Di Modica’s art. In fact, I think his press secretary’s statement goes a long way to proving Di Modica’s point about the attempt to reinterpret his work. Fearless Girl isn’t just standing up to the bull but also “what it stands for.” Why would Mayor de Blasio want to do that? A statement he made last year to New York Magazine might give a hint:
I think there’s a socialistic impulse, which I hear every day, in every kind of community, that they would like things to be planned in accordance to their needs. And I would, too. Unfortunately, what stands in the way of that is hundreds of years of history that have elevated property rights and wealth to the point that that’s the reality that calls the tune on a lot of development. . . .
Look, if I had my druthers, the city government would determine every single plot of land, how development would proceed. And there would be very stringent requirements around income levels and rents. That’s a world I’d love to see, and I think what we have, in this city at least, are people who would love to have the New Deal back, on one level. They’d love to have a very, very powerful government, including a federal government, involved in directly addressing their day-to-day reality. [Emphasis added.]
Fearless Girl’s placement opposite Charging Bull goes well beyond standing up for more women in high finance jobs and boardrooms (the alleged point of the statue). The Mayor who praised the “socialistic impulse” toward government planning is doing is best to change one of the best-known symbols of America’s free market into a threat to be defied. I really don’t think that’s an accident.