Films and series about Edwardian upper caste manners which portray the genteels uncharitably are boring, like the steady, unending (until one turns the switch off) hum of a fluorescent lamp. Downton Abbey is what George Gilder would call the entropic disruption to the background noise of revolt against the old world. To portray Lord and Lady Grantham as anything other than drunks, fools, hypocrites or either sexpots or sexual glaciers (or best of all, alternately both) is itself an act of cultural rebellion.

That’s arguably why the left is bashing Downton Abbey. The New York Times Art Beat column has reported that British critics are ‘torching’ Downton Abbey. Apparently Downton Abbey is snobbish, culturally necrophiliac (and if you don’t yet know what that word means, I suggest you leave it that way) and its popularity in the United States is due to the rise of the Tea Party movement and conservative opposition to the death tax. Even worse, creator Julian Fellowes is the holder of a Tory Peerage. Definitely not the right sort of people.

Now at first glance one might think that all of this goes a bit too far, dragging politics in where it has no proper place. But on second look, the left’s reaction is understandable. Julian Fellowes and they are on the opposite side of something. But it’s not that Fellowes is on the right, and they on the left. It is that Fellowes is in the middle and they on the far left. Downton Abbey is not an apologetic for the old order. It just gives them a fair shake.