<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>HotAir</title><link>https://hotair.com/headlines/archives/2013/02/16/the-art-and-politics-of-zero-dark-thirty/feed/</link><description>HotAir is the leading conservative blog for breaking news and commentary covering the Biden administration, politics, media, culture, and current elections.</description><language>en-us</language><lastBuildDate>Tue, 09 Jun 2026 06:33:15 -0400</lastBuildDate><item><title>The art and politics of "Zero Dark Thirty"</title><description>&lt;![CDATA[&amp;#8220;Zero Dark Thirty&amp;#8221;—directed by Kathryn Bigelow and produced by Mark Boal—is as divisive and charged as any Hollywood film in memory. &amp;#8220;The Hurt Locker,&amp;#8221; their film about the Iraq war, won six Oscars in 2009 and broad acclaim. This time the pair are having to defend their work against political attack—in Hollywood and Washington. The controversy has pushed the film, an early Oscar front-runner that has grossed nearly $100 million so far, out of the conversation about likely winners.]]&gt;</description><pubDate>Sat, 16 Feb 2013 17:35:26 -0500</pubDate><creator xmlns="dc">&lt;![CDATA[Erika Johnsen]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://hotair.com/headlines/2013/02/16/the-art-and-politics-of-zero-dark-thirty-n100179</link></item></channel></rss>