Here’s what I know about the film’s controversial aspects: The scenes of CIA interrogation are overwrought and inaccurate; more than detainee-derived data was key in getting to Abbottabad; and the film’s star, “Maya”, was not alone in urging the agency to move.
But as often happens in art, each of these story lines has a thread of truth. CIA interrogations of more than 30 detainees were tough; the agency did derive significant intelligence from them; and “Maya” was a real heroine.
At the end of the day, though, “Zero Dark Thirty” is a movie. Made by Hollywood. To be dramatic. That this is being debated and that intelligence leaders are being drawn into that debate is as revealing as it should be troubling.
When I was at CIA I asked my civilian advisory board to tackle some tough questions. Among the toughest: In a political culture that every day demands more transparency and more public accountability from every aspect of national life, could American intelligence continue to survive and succeed?