Via Gateway Pundit, it can’t be real. It’s too broadly parodic of too many things: the trivialization of abortion, modern art’s fascination with effluvium, amoral academic culture justified as a form of faux-profound “consciousness-raising,” etc etc etc. All that’s missing is some sort of representation of Christ as a gay Nazi.

Beginning next Tuesday, Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself “as often as possible” while periodically taking abortifacient drugs to induce miscarriages…

The “fabricators,” or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages…

The display of Schvarts’ project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts’ self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.

Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.

Lots more at the link, with even the campus pro-choice group unwilling to offer a pat on the back. Exit question re: Schvarts: Republican, do you think?

Update: Some of our commenters with more medical knowledge than I are saying this is probably a hoax, with the likely, er, “medium” here being standard menstrual blood.

Update: Yale says it’s “performance art.”